Our Expression Series effect pedals let you effortlessly create sonic controls all without taking your hands off your guitar. The Expression Tremolo Pedal delivers foot-sweepable control, while the Ambient Delay provides an array of digital delays including everything from subtle textures to ambient soundscapes. If you’re looking to soak your sound in clean and searing lead tones, then the Expression Overdrive pedal is best for you. The Expression overdrive pedal allows you to deliver natural tube-like overdrive with more range than ever before. The Ernie Ball MVP volume pedal is a powerful tool to put in your guitar's signal chain. Whether you put the MVP in front of your amplifier or in its effects loop, it gives you smooth volume control with no high-frequency loss at any volume. Even better, the minimum volume control lets you set the heel position from 0%-50% volume, and you can actually set the toe position to boost up to 20dB to hit your amplifier or pedals harder. Factor in the separate tuner output, and you may find that the Ernie Ball MVP is your new go-to volume pedal. Really, any model could be the best volume pedal for swells. The bigger issue is where it’s placed in your signal chain. Read two questions down to find out why. Do I need a volume guitar pedal?

The only part that might eventually break is the string that you can find inside the pedal. I’d recommend purchasing a spare replacement kit to have just in case, as you never know when something unexpected might happen. I have had to replace mine once, but apart from that, I only have good things to say about the Ernie Ball VP Jr and I am surely going to keep using it for a very long time. The internal string on my pedal has broken once, and it left me quite worried because I had a gig the next day, but I was able to find a replacement kit at a nearby store and fix my pedal easily in the next few minutes. After that, I ended up buying one to keep in my guitar case for an emergency, but I still haven’t had to use it yet. Tuner Out The 25K Stereo Volume Pedal features a super smooth foot sweep for precise volume control and is perfectly voiced for active audio signals. The 25k pedal is extremely versatile and can be used in stereo or mono applications. Utilizing TRS stereo cables, use the B input and B output. Tough, long lasting Kevlar cable transmits pedal travel to the 250k potentiometer and is attached by a stainless steel spring. The inclusion of two distinctive settings instantly raises the EX-1 above many of its competitors. It’s ideal for situations where you may be using multiple high-gain pedals, and need to keep the sharp increases in volume to a minimum.Active volume pedals are seen as the better option, particularly for musicians who require a g

Accessory Coverage: Any peripheral devices or accessories that come with your product (i.e. foot pedal, case) are also covered. USED products: 4% of the current new selling price to increase the warranty from 3 months to 1 year. 4% for each additional year.My experience using the EX-P led me to the summary that it’s the best MIDI-focused volume/expression device on the market. It stands out due to its compatibility with keyboards, synths, drum machines, and other MIDI-based instruments or controllers. When recording with a volume pedal, you essentially have two options – you can either send your output into an amplifier and place a microphone in front of the speaker to capture the output, or you can send the output into a direct input on an audio interface, preamp, or mixer. Both methods offer contrasting results. There are several qualities that set the MVP apart from other volume pedals. Firstly, it generously allows the audio signal to be increased up to +20 decibels, which affords exceptional freedom and control over the dynamics. Also, I’d go as far as to say this pedal is basically indestructible thanks to its robust build quality. Let me start by saying that there is no “right or wrong” way to position your pedals in a signal chain. Some of the most innovative guitarists and bassists have created their signature tones by doing things in a way that conventional wisdom would regard as being “wrong”. With that being said, some general guidelines can be used to create the intended effects from your pedals.

My favorite place to have my volume pedal is after all my dirt pedals (overdrive, distortion, fuzz), but before my modulation pedals (chorus, phaser, etc), delay and reverb. The battery will be bypassed and the pedal will be powered solely by the AC adapter. The adapter does The pedal offers a dedicated tuner output, which also presents the possibility of using it as an expression controller. I was really impressed with this feature, as it is the perfect tool for adding a little boost in volume to my guitar or rolling off the dynamics to conclude a performance. From past experience, I’ve found that a common issue with volume pedals is the high-end frequency loss that can occur, but I was pleased to discover that Ernie Ball has ensured that this is not the case with the MVP. It is compatible with both passive and active electronics, which is an added bonus. My Review: When I think of Boss pedals, the first quality that springs to mind is durability. Their comprehensive range of stompbox effects is, in my experience, amongst the most solidly built on the market. I’d go as far as to say that attribute is one of the most important qualities when discussing volume pedals.I'd seriously suggest buying cheap with volume pedals, and then only upgrade if you feel like the cheap one is unusable. Otherwise you can waste a lot of time and effort and definitely money. Thing is a volume pedal doesn't have it's own "sound" so it's not like you need to spend a lot of money to get intelligent algorithms or high quality capacitors or whatever. It works just like any volume pedal should. Volume pedals often get grouped together with expression pedals. Simply put, an expression pedal is a variable pedal manipulated with the foot that changes some aspect of a guitar’s sound. This includes wah and volume pedals in addition to auxiliary pedals used in conjunction with an effects unit like a delay, vibrato, or a multi-effects unit like the Zoom G5n. Just keep in mind that when someone says “expression pedal” they will generally mean the latter type that is used with a pedal or multi-effects unit, as both volume and wah pedals are generally referred to as a volume pedal or a wah pedal for clarity’s sake. My Review: If you’re a multi-instrumentalist, I think you’ll enjoy the EXP-001 by MeloAudio. It soon became clear to me that this device offers ultra-smooth pedal movement so that I could use it to comfortably control the volume of my guitar, bass, or keyboard. It also doubles up as a capable expression pedal and has a small, compact sizing which in my experience makes it a convenient addition to any signal chain. In this guide we’re going to primarily cover volume pedals for guitar and bass, both electric and acoustic. You can of course use a volume pedal for any electronic instrument, like a keyboard or synthesizer.